Sometimes the less we know about what will happen in a work of fiction, the better off we are. Because the more we know about what happens next, the more we close off the possibilities of the unexpected, the less chance we have of allowing our subconscious minds to speculate and probe down to the awkward truths that we need to express instead of glib things we initially thought we wanted to say. If we already know what we intend to say, we are going to learn nothing by saying it. Only when we allow our imagination the space to catch us by surprise, when we sit back and stare in bafflement at words that suddenly start appearing on our screens, do we find ourselves to be truly writing. Only then can we honestly say that we are being brought – often by the seat of our pants – on…
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Viv Drewa - The Owl Lady 